{"id":2541,"date":"2026-02-23T09:07:10","date_gmt":"2026-02-23T09:07:10","guid":{"rendered":"https:\/\/davidmichalek.net\/?p=2541"},"modified":"2026-02-23T09:07:10","modified_gmt":"2026-02-23T09:07:10","slug":"seni-relief-kayu-dan-narasi-permukaan","status":"publish","type":"post","link":"https:\/\/davidmichalek.net\/index.php\/2026\/02\/23\/seni-relief-kayu-dan-narasi-permukaan\/","title":{"rendered":"Seni Relief Kayu dan Narasi Permukaan"},"content":{"rendered":"<h3 data-start=\"4984\" data-end=\"5037\">Seni Relief Kayu dan Narasi Permukaan<\/h3>\n<p data-start=\"5038\" data-end=\"5719\">Relief kayu adalah seni memahat permukaan kayu sehingga membentuk gambar timbul atau pola dekoratif. Seniman seperti <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Tilman Riemenschneider<\/span><\/span> memanfaatkan teknik ini untuk patung, panel altar, dan dekorasi arsitektur. Media ini memungkinkan eksperimen tekstur, detail, dan kedalaman visual. Relief kayu dapat diaplikasikan pada furnitur, dinding, atau instalasi. Kekuatan media ini terletak pada ketahanan material, estetika, dan kemampuan mengekspresikan narasi melalui permukaan. Seniman modern menggabungkan relief kayu dengan cat, logam, atau cahaya untuk efek kontemporer. Media ini memadukan teknik tradisional, kerajinan, dan ekspresi visual artistik yang kuat.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seni Relief Kayu dan Narasi Permukaan Relief kayu adalah seni memahat permukaan kayu sehingga membentuk gambar timbul atau pola dekoratif. Seniman seperti Tilman Riemenschneider memanfaatkan teknik ini untuk patung, panel altar, dan dekorasi arsitektur. Media ini memungkinkan eksperimen tekstur, detail, dan kedalaman visual. Relief kayu dapat diaplikasikan pada furnitur, dinding, atau instalasi. Kekuatan media ini [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2541","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/posts\/2541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/comments?post=2541"}],"version-history":[{"count":1,"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/posts\/2541\/revisions"}],"predecessor-version":[{"id":2542,"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/posts\/2541\/revisions\/2542"}],"wp:attachment":[{"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/media?parent=2541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/categories?post=2541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/tags?post=2541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}