{"id":2982,"date":"2026-03-30T16:43:22","date_gmt":"2026-03-30T16:43:22","guid":{"rendered":"https:\/\/davidmichalek.net\/?p=2982"},"modified":"2026-03-30T16:43:22","modified_gmt":"2026-03-30T16:43:22","slug":"seni-ukiyo-e-kabuki","status":"publish","type":"post","link":"https:\/\/davidmichalek.net\/index.php\/2026\/03\/30\/seni-ukiyo-e-kabuki\/","title":{"rendered":"Seni Ukiyo-e Kabuki"},"content":{"rendered":"<h3 data-section-id=\"1s33ne\" data-start=\"1678\" data-end=\"1715\">Seni Ukiyo-e Kabuki<\/h3>\n<p data-start=\"1716\" data-end=\"2136\">Ukiyo-e Kabuki abad ke-18 menekankan teater, aktor, dan ekspresi dramatis. Seniman seperti Toshusai Sharaku menampilkan wajah, kostum, dan gerak figur dengan detail ekspresif. Cetakan kayu memungkinkan reproduksi massal, menyebarkan budaya populer Edo. Palet cerah dan komposisi seimbang menekankan karakter dan narasi panggung. Studi Ukiyo-e Kabuki membantu memahami budaya, teater, dan interaksi seni populer Jepang.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seni Ukiyo-e Kabuki Ukiyo-e Kabuki abad ke-18 menekankan teater, aktor, dan ekspresi dramatis. Seniman seperti Toshusai Sharaku menampilkan wajah, kostum, dan gerak figur dengan detail ekspresif. Cetakan kayu memungkinkan reproduksi massal, menyebarkan budaya populer Edo. Palet cerah dan komposisi seimbang menekankan karakter dan narasi panggung. Studi Ukiyo-e Kabuki membantu memahami budaya, teater, dan interaksi seni [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2982","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/posts\/2982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/comments?post=2982"}],"version-history":[{"count":1,"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/posts\/2982\/revisions"}],"predecessor-version":[{"id":2983,"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/posts\/2982\/revisions\/2983"}],"wp:attachment":[{"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/media?parent=2982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/categories?post=2982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/davidmichalek.net\/index.php\/wp-json\/wp\/v2\/tags?post=2982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}